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HARLEM SUMMER SHAKESPEARE "MACBETH" AT RIVERBANK
STATE PARK
AUGUST 12-28 GETS A LAST-MINUTE MOVE TO THE AMPHITHEATRE
Pulse Ensemble Theatre sets Scottish tragedy in an occupied Islamic country
where Macbeth is a power hungry U.S. Army officer, Duncan is a warlord
and the Witches are local war widows.
WHERE AND WHEN:
August 12 to 28: Riverbank State Park-AMPHITHEATER (changed from Indoor Theatre
Facility)
679 Riverside Drive (at 145th St.), Manhattan.
Presented by Pulse Ensemble Theatre and Riverbank State Park.
Travel directions: #1 subway to 145th Street & Broadway, walk one block
east to Riverside Drive and straight into the Park. Walk in direction of the
river. Or ride M11 Bus (until 7 PM) or BX 19 directly into Riverbank State Park.
Schedule: Previews 8/12-13; opens August 14, plays through August 28 on the
following schedule: Wednesdays through Sundays at 7:30 PM. (NOTE: Wednesday
shows have been added since our announcement of July 13.)
General seating; running time 1:45 (no intermission).
FREE, info: www.pulseensembletheatre.org or 212-695-1596
NEW YORK, August 8 – Pulse Ensemble Theatre's Harlem Summer Shakespeare production of "Macbeth," which was to be presented in Riverbank State Park's park’s indoor theater facility August 12-28, has been shifted at the last moment to the park's Amphitheater on the same dates, making it possible to present the production under the stars. Despite budget cuts, the Park has managed to repair their elevator to the Amphitheater, allowing Pulse Theater Ensemble to use this unique and beautifully situated river-side venue for the production. The piece, directed by Alexa Kelly, is the culminating event of Pulse Ensemble Theatre's twentieth season. Its playing schedule will remain unchanged now that it has moved outdoors, with performances Wednesdays through Sundays at 7:30 PM.
The innovative adaptation sets the Scottish Tragedy in a conflict zone of the 21st century, in an occupied Islamic country not unlike Afghanistan, where Macbeth is a power hungry U.S. Army officer, Duncan is a warlord and the Witches are local war widows. The tension mounts until Macbeth and Lady Macbeth are brought down by their own greed, guilt and fear.
The company was performing the adaptation as a free, site-specific production in Governors Island (Nolan Park) on August 7-8 when it received the good news of the change of venue. There is just enough time now to adapt the production to the new venue, which actually was Pulse Ensemble's first choice for the play. (Who says you never get a break?)
"Macbeth" will be the sixth annual open-air production that Pulse Ensemble Theatre's Harlem Summer Shakespeare program has presented in Riverbank State Park. The play is free to the public on a first come, first served basis. It is a feature of Harlem Week (www.harlemweek.com).
The production updates the classic by transferring Shakespeare's tragedy from the "fog and filthy air" of Scotland to the murky realms of an occupied land, where "nothing is but what is not." The title character, an overambitious Army officer (suffering from PTSD), is brought down by guilt and paranoia. Lady Macbeth sings blues and inspires herself with R&B music. Banquo throws football with his son, Fleance. The witches are local war widows, possibly underground partisans, who seek revenge for their losses. Costuming will range from contemporary military fatigues to tribal costumes. There is a multi-ethnic, Equity cast of 16.
Pulse Theatre's Harlem Summer Shakespeare productions are known for updating the visual aspect of Shakespeare's plays while keeping the Bard's language intact. Previous Harlem Summer Shakespeares have been consistently acclaimed. "The goal is to excite and entertain a non-theatre going audience, and inspire them with the limitless possibilities of live theatre," writes director Alexa Kelly, who has directed all six. Her adaptation of "A Midsummer Night's Dream" (2005) was inspired by West Indian Carnival and Calypso music. "Romeo and Juliet" (2006) was loosely based on the TV show "Law & Order." "The Tempest" (2007) was inspired by "Lost." "Twelfth Night" (2008) was inspired by image-conscious New Yorkers obsessed with their fitness rituals. In 2009, Pulse mounted a touring version of "A Midsummer Night's Dream" set in the NY inner city, performing in Governors Island and in five Manhattan locations.
"Macbeth" has Alexa Kelly again in the director's chair. Set design is by Zhanna Gurvich (Assistant Designer, "The Drowsy Chaperone," "Taboo" and Broadway's "Gypsy" and "Cabaret"). Lighting design is by Steve O’Shea (Westport Playhouse, TADA, Teatro De La Opera). Costume design is by Kimberly Glennon (Classical Theatre of Harlem, 2003 Obie Award Winner, Howard Hughes Design nomination for Marat Sade). Sound design is by Louis Lopardi (Boston Pops, Boston Ballet). Fight Choreographer is Carrie Brewer Hilton.
Veteran Shakespeare actor Brian Richardson, who plays Macbeth, hails from Trinidad, where he performed extensively with the Tent Theatre, and played the lead in many soap operas. Since his arrival in New York New York, he has performed roles such as Wong (in "The Good Woman of Setzuan"), Prospero ("The Tempest"), Puck ("A Midsummer Night’s Dream") and Malvolio ("Twelfth Night"). He has worked with the Metropolitan Playhouse, Pulse Ensemble Theatre, Barter Theatre, Bristol Riverside Theatre and others. He has also been featured on the London Fringe Theatre scene. He tours nationally a one man show about the great Civil Rights Activist W.E.B. Du Bois.
Renee Flemings (not to be confused with the opera singer), who plays Lady Macbeth, is known from "Law and Order" and "One Life to Live." She has appeared in "For Colored Girls…" (as Lady in Green ) at the Paul Robeson Theatre, "Coyotes Calls" with PSNBC and with Blue Diamond Productions in NYC. She is also a Jazz and Blues singer and has performed in many well-known venues. Her one woman show, "…secrets…" has been presented at The Field, Women’s International Theatre Festival, National Black Theatre Festival, HERE, Philadelphia Fringe Festival and PSNBC.
Pulse Ensemble Theatre, founded in 1989 by Alexa Kelly, is dedicated to making
the classics accessible and exciting to the youth of today; to multi-ethnic
casting; to creating a nurturing environment for actors and to developing new
audiences and providing outreach programs to the community. Based on Theatre
Row for 13 years, Pulse presented outdoor Shakespeare in their courtyard. After
losing its theater in 2002, Pulse began presenting free Summer Shakespeare in
Harlem’s Riverbank State Park. The company also runs a weekly Playwrights’
Lab from which it develops a new play each year. With the support of the Indian
American Arts Council, Pulse recently presented Anuvab Pal’s critically
acclaimed play, "Chaos Theory."
Director Alexa Kelly, was was raised and educated in London, where she was born
to a Greek mother and a Scottish father. She studied at the Central School of
Speech and Drama, London, for three years. She then visited the US, where she
got an MFA at UNC and worked on a Ph. d. at Florida State University. She came
to New York City after a period of teaching acting and directing at the University
of Michigan, Ann Arbor, where she worked with such students as Doug Sills, Tim
Hopper and Gary Garrison. She co-founded Pulse Ensemble Theatre twenty years
ago, in 1989, and has been its Artistic Director ever since. She has directed
its productions of such classics as "Juno & The Paycock," "The
Seagull," "Murder on the Nile," and "A Midsummer Night's
Dream" as well as contemporary plays, including most recently, "Chaos
Theory" by Anuvab Pal. She is founding director of Pulse Ensemble's
Harlem Summer Shakespeare outreach series, which is now in its sixth season
of presenting free Shakespeare in NYC parks. Over 20,000 people have attended
the company’s productions in Harlem and on Governors Island.
She has worked regionally as a host for PBS-TV and as an actor, director and teacher at the Alliance Theatre, Walnut Street Theatre, Attic Theatre, Academy Theatre, Little Five Points and others. She was Literary Manager for the Walnut Street Theatre for two years and ran a drama program at FCI in Tallahassee for three years. She has taught and directed at UNC, FSU, and U of M, and Adelphi University.
The actors are Jeff Burchfield (as Duncan), Paul Pontrelli (as Malcolm), Akeem Folkes (as Donaldbain), Brian Richardson (as Macbeth), Renee Flemings (as Lady Macbeth), Adam Jonas Segaller (as Banquo), Danny Makali’I Mittermeyer (as Macduff), Shawn Williams (as Lennox), Mathew J, Harris (as Ross), Mia Anderson (as Angus); Wendy Snow, Erica Chambers and Regina Gibson (as The Witches), Gregory Wool (as Fleance), Kara Addington (as Mentieth) and Leigh Ellen Caudill (as Lady Macduff).
This project is sponsored in part by New York State Council on the Arts, Con Edison, Councilman Robert Jackson and the New York City Department of Cultural Affairs and Riverbank State Park.
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CRITICS ARE INVITED on or after August 12.
Captioned, high-resolution photos of this show and all other shows currently represented by Jonathan Slaff are available for download at: http://picasaweb.google.com/jslaff/jsnyc#.