An ensemble of
nine will perform live versions of healing chants, ritual drumming
and trance dance ceremonies that are found on the CD accompanying
the book. These include rites of the Tammorriata, the transgender
rite of Femminielli, and the erotic "spider dance"
of the Tarantella, which has been used for centuries in the Mediterranean
21 TO APRIL 7
The script is the first definitive American translation of the classic Czech text by the author known today only as "A.B." The main Mephistopheles puppet, about 26 inches high and about 100 years old, was fashioned in Kladno, Bohemia by Karel Krob, a mason and shoemaker. There are three copies of Mephisto, differently-sized, used to make him shrink and grow as he gains and loses power. Faust is a copy of a folk puppet originally crafted in a Czech-American company over 200 years ago. The balance of the 20-or-so puppets in the show come from the troupe's repertory, notably century-old Czech puppets discovered in 1990 in a hidden storeroom at the Jan Hus Church on East 74th Street. Recommended for ages 6-106.
On Friday, March 22 at Theater for the New City, a special 90-minute, acoustic-punk reading of Christopher Marlowe's tragedy, "Doctor Faustus," directed by Elizabeth Ruf Maldonado, will follow the 8:00 PM production of "Johannes Dokchtor Faust, a Petrifying Puppet Comedye" by Czechoslovak-American Marionette Theatre. Crystal Field, Co-Founder and Artistic Director of Theater for the New City, will portray Doctor Faustus. The Czech/British/U.S. cast also includes: Jonathan Slaff, Briana Bartenieff, Emily Pezzella, Robert (Moe) Maloney, Elizabeth Ruf Maldonado, Matt Roper, Vit Horejs, Bonnie Stein, Kerry Milliron, Michelle Beshaw, Deborah Beshaw-Farrell and Ben Watts. Karl Bateman will provide a live soundscape on acoustic instruments. Refreshments will be served. Admission is free but donations will be gratefully accepted. The reading will start around 9:20 PM. No RSVP is required.
23 & 30
Eilin O'Dea founded Fusion Theatre in 2016 to fulfill her concept that synthesizing the worlds of theater and opera can provide the ultimate theatrical experience. Now it is giving its first opera performance. Fusion chose three of the best known and loved operas of all time to launch its Opera Series. The excerpts presented will be representative of the dramatic and musical journey of each of the chosen operas and the performers, dual-trained as classical actors/opera singers, aim to maintain their absolute commitment to dramatic truth.
The piece combines stories about the iconic singer with performances of key songs of her career. It dramatizes the singer's life and also illuminates the culture of Latin America’s “golden age” from the 1930’s through the 1960’s. Narration and enactment of the singer's life story are in English, but Vargas’ ranchera songs and Latin American pop hits are sung in Spanish with some translated lyrics. Multimedia containing historical images of the principal characters and their social and artistic milieu illustrate the piece. The show is topical because Chavela Vargas' life story (1919-2012) reflects so many of today's hot topics: gender issues, gay rights, immigration and Mexican culture. Trudeau is accompanied by her arranger, David Lahm on piano and by Diego Cebollero on guitar. Direction is by Tanya Moberly.
28 TO MARCH 31
What is black theatre? How is it defined and by whom? What is the relationship between the black dramatist, their creation and the black community at large? "Looking for Leroy" by Larry Muhammad explores these questions through the career of LeRoi Jones/Amiri Baraka, arguably the most important black playwright of the 20th century and one who intended his art have social impact. A poet, novelist, essayist and music critic probably best known for his plays, Baraka’s intellectual development from Beatnik to black nationalist to Marxist was reflected in his art.
In this two-character play, a young theatre intern struggles to comprehend the artistic metamorphoses of his hero, a great playwright at the pinnacle of his powers. While the intern assists with play development, his casual observations infuriate his mentor and the two heatedly debate theatre fundamentals, examining the fungible nature of aesthetics, questioning whether artistic expression is ever nonideological and weighing the added responsibility of artists of color. Patronia Paley directs.
The show is currently trending on Show-Score.
Prominent comedian/actor/broadcaster Donald E. Lacy Jr. performs the New York debut of his one man show, "ColorStruck." The piece begins as a comedic autobiography of a sensitive, light-skinned African American man growing up in Oakland during the height of the Black Pride movement and morphs into an interactive experience that uses comedy, music, spoken word, dance and images to stimulate conversation on one of America's most intractable challenges, institutional racism.
The play was born in California's Bay Area and has been presented on college campuses around the country and at the National Black Theatre Festival. It was presented twice for the U.S. Congressional Black Caucus. Director is Sean San Jose; soundscape and music are by Grammy nominee Tommy Soulati Shepherd.
Watch Sandra Bookman's terrific interview with Donald E. Lacy, Jr. on ABC7NY's "Here and Now."
THROUGH JUNE 8, 2019
Harlem Repertory Theatre stages "The Wizard of Oz: a Jazz Musical for All Ages," co-produced by the Yip Harburg Foundation, for young (and young-at-heart) audiences. This production of the classic musical has a multi-racial cast, a jazzy underscore and authoritative dramaturgy by representatives of the Yip Harburg Foundation.
Director/choreographer is Keith Lee Grant, Artistic Director of Harlem Rep, who is in the midst of a four-year project of presenting four classic musicals that have lyrics by E.Y. "Yip" Harburg, who was known in his lifetime as the "social conscience of Broadway."
MYSS TIC ESCAPE ROOMS WILL TAKE YOU BACK TO THE ZIEGFELD FOLLIES
Tic Escape Rooms, located at 794 Union Street in Brooklyn's
Park Slope, offers theatrical performances, exceptional scenic design,
smart games and magic. Their new room, "Ghost Light," will
open next month. It takes you backstage at the New Amsterdam Theater
during the Vaudeville era. A ghost light illuminates the mstery of
Olive Thomas, one of the most famous girls of the Ziegfeld Follies.
She died under mysterious circumstances when she was poisoned in Paris.
Since then, many stage hands swear they still see her. A ghost light
is placed on the stage so that Olive and her colleagues can relive
performances during the night and not bother the living during the
day. Your mission is to turn on the light, but once the spirits start
performing, you have to run fast if you don't want to be trapped in
Until this room's
built (and after), you can experience "Montauk Project,"
in which you infiltrate the old Montauk Air Force Station, which was
shut down in the 1970’s (or actually, transformed into Camp
Hero State Park). Your mission is to learn what's alive there from
past experiments--and why people are disappearing in its surrounding
THEY'RE OFF TO A SINGING SARTRE
Fusion Theatre (see above) will mount its opera-charged version of Sartre's "No Exit" from April 5 to 25, 2019 as the opening production of a new OOB venue, The Theater at 244, located at 244 West 54th Street, 10th floor. Over the rest of the year, Fusion will conduct an extended residency there.
In 2016, the company mounted a short proof-of-concept run of its adaptation of "No Exit" at Walkerspace Theatre. It opened with operatic arias representative of the transition as between life and death and the instant in between. This will be the full production's debut run. The company injected operatic arias into Anouilh's "Antigone" in 2017.
TO GMAIL USERS
Slaff & Associates